“I love you too,” the American president declared to farmers in his address to Congress last night. From Trump’s address to the national emblem of China and the fictional flag of Panem in the “Hunger Games” films… why is there so much agrarian symbolism in our nationalism? Where does this sort of “agrarian nationalism” come from?
Approaching this topic from the angle of twentieth-century China, Tristan G. Brown and I have just published an article entitled “Lost Rural Futures: Agrarian Nationalism and Industrial Dissent in Modern China” in the journal Comparativ. Here is the abstract:
A debate in the early 1940s between two social scientists, Yang Kaidao and Zhou Xianwen, reinvigorated a national conversation about China’s relationship with agriculture. Clearly China’s roots were agrarian, but was it destined to remain “a country founded on agriculture,” in which the rural village remained the focal point of the state and the nucleus of society, or must the republic industrialize in order to survive? If the answer seems obvious to the present-day observer, it remained debatable on the eve of the Communist revolution. This paper uses the Yang-Zhou debate as a window on past visions of an agrarian future that were impassioned yet full of irony: agricultural fundamentalists pointed to settled agriculture as a distinctive and transhistorical feature of the Chinese state, but their arguments and policy recommendations echoed similar movements in Japan, Italy, Latvia, and many other twentieth-century states. We argue that we ought to recognize China’s twentieth-century agrarian fundamentalism as both an understudied fulcrum of Chinese nationalism, and a node in a global agrarian-nationalist movement that mostly fizzled out after World War II.
And here is a preprint of the article for those who do not have access to Comparativ:


